Rabu, 30 Juni 2010

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Sabtu, 26 Juni 2010

[X996.Ebook] Ebook A Life in Parts, by Bryan Cranston

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A Life in Parts, by Bryan Cranston

A poignant, intimate, funny, inspiring memoir—both a coming-of-age story and a meditation on creativity, devotion, and craft—from Bryan Cranston, beloved and acclaimed star of one of history’s most successful TV shows, Breaking Bad.

Bryan Cranston landed his first role at seven, when his father cast him in a United Way commercial. Acting was clearly the boy’s destiny, until one day his father disappeared. Destiny suddenly took a backseat to survival.

Now, in his riveting memoir, Cranston maps his zigzag journey from abandoned son to beloved star by recalling the many odd parts he’s played in real life—paperboy, farmhand, security guard, dating consultant, murder suspect, dock loader, lover, husband, father. Cranston also chronicles his evolution on camera, from soap opera player trying to master the rules of show business to legendary character actor turning in classic performances as Seinfeld dentist Tim Whatley, “a sadist with newer magazines,” and Malcolm in the Middle dad Hal Wilkerson, a lovable bumbler in tighty-whities. He also gives an inspiring account of how he prepared, physically and mentally, for the challenging role of President Lyndon Johnson, a tour de force that won him a Tony to go along with his four Emmys.

Of course, Cranston dives deep into the grittiest details of his greatest role, explaining how he searched inward for the personal darkness that would help him create one of the most memorable performances ever captured on screen: Walter White, chemistry teacher turned drug kingpin.

Discussing his life as few men do, describing his art as few actors can, Cranston has much to say about creativity, devotion, and craft, as well as innate talent and its challenges and benefits and proper maintenance. But ultimately A Life in Parts is a story about the joy, the necessity, and the transformative power of simple hard work.

  • Sales Rank: #889 in Books
  • Published on: 2016-10-11
  • Released on: 2016-10-11
  • Original language: English
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, .0 pounds
  • Binding: Hardcover
  • 288 pages

Review
"Boy, you think you know a guy!  I worked six solid years with Bryan Cranston and figured there weren’t any secrets left between us.  All those hours I spent watching him wander the desert in his underpants?  That alone should make me an expert on the man.

But now, along comes A Life In Parts – and suddenly I’m reading about a whole other Bryan, one who performs weddings in airplanes and camps out at mortuaries.  This Bryan bathes in the blood of chickens and stuffs mackerels in air vents.  He even accosts poor Alfred Hitchcock.

Yes, it’s all in here.  Better still, there’s an exceedingly honest discussion of his craft, which will be a godsend to struggling thespians everywhere.  Think your job waiting tables sucks?  One of the world’s greatest actors had it worse (what with being under suspicion for murder and all).

I loved this book.  It’s just the right mixture of funny, sad and heartfelt.  If I’d known Bryan could tell stories this well, I would have had him writing episodes of Breaking Bad."--Vince Gilligan

“This splendid, moving, heartbreaking memoir is doubly triumphant. It regales and entertains while at the same time providing inspiration and practical wisdom. A truly gifted storyteller, Cranston captures the reader's imagination and emotions from beginning to end.”—Doris Kearns Goodwin

 

“Bryan Cranston has created a cinematic record of how an actor shapes a career and an identity and a legacy all at the same time.” –Tom Hanks

"The highs here—and there are many—are meth-less but addictive."--Kirkus Reviews

"[A] substantial memoir from one of Hollywood’s most introspective stars...anyone interested in acting will devour Cranston’s savvy advice about honing one’s craft and building one’s career."--Booklist

"By turns gritty,funny, and sad, this fiercely intelligent book from the Breaking Bad star defies celebrity memoir tropes."--Entertainment Weekly

"Cranston fuses his personal and professional life in a way that’s nothing short of riveting....an engrossing first-person account by one of our finest actors."--Huffington Post

"[A] must-read memoir."--Philadelphia Inquirer

"A literary cup that runneth over: A candid portrait of a great actor."--Newsday

"Deeply personal...the way in which Cranston's simple, staccato prose invites readers to empathize with every 'character' he's played elevates this autobiography to more than just a look behind the scenes--it's a look behind a life."--Publishers Weekly

"Genial...funny...a book about ambition and persistence."--The Washington Post

"[Cranston] traces his on- and off-screen life with witty, absorbing candor."--Denver Post

"Superb."--Chicago Tribune

"Brilliant...[Cranston] has a knack for describing the ordinary in a way that makes it fascinating."--The Buffalo News

"Cranston delivers crisp stories about his onscreen performances in everything from daytime soaps to “Malcolm in the Middle” to his 2014 Tony-winning portrayal of President Lyndon B. Johnson in “All the Way.” But he also offers many chapters in which the “part” is his real-life experience as a farmhand, hypnotist, dating consultant or even a murder suspect."--Kansas City Star

 

“Cranston’s memoir is an illuminating window into the actor’s psyche, as he opens up about his time as Walter White on the show and the fine line he walked playing that character—while looking into himself.”—People

Fascinating...The candor and self-introspection of this book are reminiscent of another unflinchingly honest memoir, the late Katharine Graham’s magnificent 'Personal History.'"--Pittsburgh Post-Gazette

About the Author
Bryan Cranston won four Emmy Awards for Outstanding Lead Actor in a Drama Series for his portrayal of Walter White in AMC’s Breaking Bad. He holds the honor of being the first actor in a cable series, and the second lead actor in the history of the Emmy Awards, to receive three consecutive wins. In 2014 he won a Tony Award for his role as Lyndon Johnson in the bio-play All the Way. In film, Cranston received an Academy Award nomination for his leading role in Trumbo. Among his numerous television and film appearances, he was nominated for a Golden Globe and three Emmys for his portrayal of Hal in FOX’s Malcolm in the Middle. He is the author of A Life in Parts.

Excerpt. © Reprinted by permission. All rights reserved.
A Life in Parts Walter White
She stopped coughing. Maybe she’d fallen back asleep. Then suddenly vomit flooded her mouth. She grasped at the sheets. She was choking. I instinctively reached to turn her over.

But I stopped myself.

Why should I save her? This little junkie, Jane, was threatening to blackmail me, expose my enterprise to the police, destroy everything I had worked for, and wipe out the financial life preserver I was trying to leave my family—the only legacy I could leave them.

She gurgled, searching for a gasp of air. Her eyes rolled back in her head. I felt a stab of guilt. Goddamn it, she’s just a girl. Do something.

But if I stepped in now, wasn’t I just delaying the inevitable? Don’t they all at some point end up dead? And poor dumb comatose Jesse, my partner, lying beside her. She’s the one who got him on this shit in the first place. She’d kill them both, kill us all, if I stepped in now and played God.

I told myself: just stay out of it. When he wakes he’ll discover this tragedy—this accident—on his own. Yes, it’s sad. All death is sad. But he’ll get over it in time. He’ll get past this like every other bad thing that’s happened to us. That’s what humans do. We heal. We move on. A few months from now he’ll barely remember her. He’ll find another girlfriend, and he’ll be fine. Fuck it. We all have to move on.

I’ll just pretend I wasn’t here.

But I am here. And she’s a human being.

Oh God. What have I become?

And then, somehow, as she was fading, she wasn’t herself anymore. I wasn’t looking at Jane, or Jesse’s girlfriend, or the actor Krysten Ritter. I was looking at Taylor, my daughter, my real daughter. I wasn’t Walter White anymore. I was Bryan Cranston. And I was seeing my daughter die.

From the moment she was born in 1993—a bit premature, shy of seven pounds, impossibly beautiful—I felt an instant, radical, unconditional love that redefined love. I had never allowed myself to imagine losing her. But now, I was seeing it. Clearly. Vividly. She was slipping from me. She was dying.

That was not the plan. When I do the homework for such a delicate scene, I don’t make a plan. My goal when I prepare isn’t to plot out each action and reaction, but to think: What are the possible emotional levels my character could experience? I break the scene down into moments or beats. By doing that work ahead of time, I leave a number of possibilities available to me. I stay open to the moment, susceptible to whatever comes.

The homework doesn’t guarantee anything; with luck, it gives you a shot at something real.

It was real fear that gripped me—my worst fear. A fear I hadn’t fully expected or come to terms with. And my reaction is there, forever, at the end of that scene. I gasp, and my hand moves to my mouth in horror.

When the director, Colin Bucksey, said, “Cut,” I was weeping. Deep racking sobs. I explained to the people on set what had happened, what I had seen. Michael Slovis, our cinematographer, embraced me. My castmates, too. I remember in particular Anna Gunn, who played my wife, Skyler. I hugged her. I must have held on for five minutes. Poor Anna.

Anna knew. As an actor she has a fragility at her core, and she often had a hard time shedding her character’s emotions after shooting difficult scenes.

That will happen in an actor’s life, and it happened to me that day. It was the most harrowing scene I did on Breaking Bad, and really . . . ever.

It may seem odd. It may even seem ghoulish. To stand in a room packed with people and lights and cameras and pretend I’m letting a girl choke to death. And then to see my daughter’s face in lieu of that girl. And to call that work. To call that your job.

But it’s not odd to me. Actors are storytellers. And storytelling is the essential human art. It’s how we understand who we are.

I don’t mean to make it sound high-flown. It’s not. It’s discipline and repetition and failure and perseverance and dumb luck and blind faith and devotion. It’s showing up when you don’t feel like it, when you’re exhausted and you think you can’t go on. Transcendent moments come when you’ve laid the groundwork and you’re open to the moment. They happen when you do the work. In the end, it’s about the work.

Every day on Breaking Bad I’d wake up about 5:30 and have coffee, take a shower, get dressed. Some days I was so tired, I didn’t know whether I was coming or going.

I’d drive the nine miles from my condo in Nob Hill to Q Studios, five miles south of the airport in Albuquerque—ABQ as the locals call it. I’d be in the makeup chair by 6:30. I’d shave my head anew. Knock down the nubs. It didn’t take too long for makeup. By 7:00 a.m. we’d see everyone: the other actors, the crew. Then we’d start rehearsing.

The allotment was a twelve-hour shoot. Plus a one-hour lunch. So a normal day was thirteen hours. It was very rare that the day was shorter. Occasionally, it was longer. Some days went seventeen hours. A lot of it had to do with whether we were on location.

If it was just a minimum day, we’d wrap at 8:00 p.m. Then I’d grab a sandwich and apple for the road. I didn’t want to take the time to stop. I’d call my wife, Robin, from the car. How are you? Yeah, long day. I’d see how she was doing. I’d ask about Taylor. I’d still be talking to her when I walked into the house. I’d say goodnight and then have that sandwich while looking over what we were doing the next day. I’d take a hot bath with a little glass of red wine. Then I’d hit the sack.

But even before the drive home, every night after we finished, I’d go in the hair and makeup trailer and take two hot, wet towels that my friends in the makeup department had presoaked, and I’d drape one over my head and I’d wrap the other over my face. I’d sit in the chair and let everything soak off, feeling all the toxins drain away. I’d sit until the towels went cold against my face, leeching myself of Walter White.

That day I saw Jane die—that day I saw Taylor’s face—that day I went to a place I’d never been, I opened my eyes and stared through the scrim of the white towel into the light above. I’d put everything, everything, into that scene. All the things I was and all the things I might have been: all the side roads and the missteps. All the stuttering successes and the losses I thought might sink me. I was murderous and I was capable of great love. I was a victim, moored by my circumstances, and I was the danger. I was Walter White.

But I was never more myself.

Most helpful customer reviews

116 of 122 people found the following review helpful.
Bryan Cranston IS a Life in Parts.
By Mickey Middleton
I purchased "A Life in Parts" with a mixture of excitement and dread because one never knows how an author - let alone an ex-spouse - will portray certain aspects of his life. I came away with a sense of relief and confirmation that - yes, Bryan is still the Bryan I knew when our meals consisted of whatever he could bring home from his job as a waiter or the 1,000 ways of preparing the bags of zucchini his mother left on our doorstep. The book reads...like Bryan.

Bryan's writing is unaffected by fame and fortune and is his own voice. He tells his story clearly, with exactly the right words for the situation and the precise amount of pages devoted to each "part" of his life. If his book seems to devote little to Breaking Bad or Malcom in the Middle, it's because those are just parts of the whole that is Bryan Cranston. The book is honest, witty, sensitive, funny, unapologetic, and heartbreaking. And that, too, is Bryan Cranston.

When reading, be prepared to laugh and cry, for this is a story of a man who came from sad circumstances, made the best of what he had (incredible talent), and stayed true to his dream. The book is a fast read, but you will find yourself picking it back up and rereading parts to experience them again and again. Bryan Cranston is a man who continues to live a life in parts, and it is my privilege to have been one such part.

1 of 1 people found the following review helpful.
A wonderfully canded look at his life.
By Connie C
I'm an actress so, reading an autobiography of an actor I respect is not uncommon for me.
This autobiography however, left me with the feeling that I actually knew who Brian Cranston really was and is.
I recommend this book for other actors. There are lessons to be learned within these pages because of
his honesty in dealing with his own difficulties with certain parts. Not every well-known and successful actor would be brave enough
to tell the world about some of these all to real experiences that all actors have had but would never admit. I applaud him and thank him for this.
Connie C.

Connie C.

0 of 0 people found the following review helpful.
Brilliant
By carol
This was such an entertaining and insightful book. I have always enjoyed Bryan Cranston's work. He is talented and a consummate actor. Who knew he was also a fantastic storyteller? A story filled with humor but also sadness as Mr. Cranston relieves his childhood and parents' broken dreams. It's an honest portrayal of the experiences and struggles he faced that made him the man and talent he is today. It's not your typical bio in the sense that it doesn't chronologically recount every aspect of his life. Rather, Mr. Cranston poignantly touches the most important parts of his backstory while beautifully weaving in the laughter and life lessons this history embodies. This is a must read and is hard to put down.

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Senin, 21 Juni 2010

[H182.Ebook] Free PDF Coffee for Consciousness: The Application of Perspective to Reality, by Vito Mucci

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Coffee for Consciousness: The Application of Perspective to Reality, by Vito Mucci

Self-Actualization Is Great—But How Do We Achieve It? “Live in the Now.” “Don’t worry, be happy.” “Follow your bliss.” These catch-phrase imperatives confront us on a daily basis, but so few of us seem to know how to do any of those things. If you’ve repeatedly tried and failed to manifest your better self or a more resonant life, you might be saying, “You know, it’s not that easy.” Coffee for Consciousness 101 is the instruction book you’ve been waiting for—because you’re right; it’s not easy. Finding yourself takes work, and sharing yourself with the world in love takes even more work…but the rewards are amazing. Our longstanding unhelpful definition of risk and reward is just one of the concepts that author Vito Mucci deconstructs with compassion, humor, and a deep understanding of the ways in which our beliefs about ourselves and the world get in the way of achieving conscious presence in the world, and consciously evolving relationships with ourselves and others. Our beliefs and ideas are the lenses through which we look at the world; this book gives you the idea of Perspectives, a new set of lenses that change what you see, and consequently, who you can be. Rooted in the author’s decades of experience in managing his PTSD and addictions through careful cultivation and alteration of consciousness, Coffee for Consciousness 101 is a fascinating, joyful, and deeply practical exploration of how to read the road map to positive change and greater presence.

  • Sales Rank: #933216 in eBooks
  • Published on: 2015-06-18
  • Released on: 2015-06-18
  • Format: Kindle eBook

Most helpful customer reviews

21 of 21 people found the following review helpful.
A lifetime's worth of therapy for < 1/2 the price of one session!!!
By Claudia
Gently yet forcefully Vito Mucci pushes up against the way we've always tried to make ourselves better people. A challenge to grow your consciousness in every chapter. An eye opening revelation on each page. Vito's approach to helping us understand the reasons we've not be able to actually achieve the concept of being happy in our skin allows us to not be angry (for long, anyway) that we've been lied to by gurus, church, state and our parents.

With a vocabulary all its own, CFC101 has made a more pleasant trip of my journey into WHO I AM.
I've read Tolle, Chopra, Walsh, Katie and Dyer. All bestow pearls of wisdom on what happiness is. Vito shows you where and how to find it.
Vito's version of Self-Help may just make him this generation's Joseph Campbell.

16 of 16 people found the following review helpful.
THE SOUL YODA
By Keith Korman
From Freud’s Dreamwork which revealed an individual’s hidden conflicts and wishes – to Jung’s archetypal collective unconscious and individuation, integrating the psyche’s opposites – to Sir James Frazier’s The Golden Bough which showed the foundations of magical human thinking – we seek to understand the human soul.

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Go to any page, there’ll be something to ponder: “we can access to every perspective we’ve ever been part of. That’s the evolution of consciousness.” (P. 105)

Ever wonder why you get angry for no reason, or for a mistaken assumption, slights real or imagined? “. . . we naturally assume our emotional reactions are based on reality. This is an assumption I like to call The Raccoon Trap.” (P. 151)

Sometimes just stating the obvious: “. . . problems occur when our expectations of how things should be in the world (including within us) are not being met by reality.” (P. 299)

Morphing into a Soul Yoda: “There is always a stronger opponent in the world of combat, every internal challenge (sic) a worthy adversary. Fear leads to courage. Anxiety leads to calm. Chaos leads to focus. Anger and fury lead to peace.”

Mucci renames the elements of human consciousness like a gentler Nietzsche – and with adept simile and metaphor – proves once again, that analogy is the core of cognition. The Glossary itself is a work of art:

Faith Ch. 11-1: the duty we have to trust
Garden Overrun by Weeds Ch. 12-1: being fear-dominated
Harmony of Intent Ch. 19: When our emotions and actions match our beliefs
Romeo and Juliet Moment Ch. 12-2: the moment when passion leads to healthy change

As Joseph Conrad's Marlow says in Lord Jim, "One hope kept Jim going – a hope common to most men. Rich or poor, strong or weak, who among us has not begged God for a second chance?"

Mucci gives you a second, third, fourth and fifth.

15 of 15 people found the following review helpful.
The Most Real-Life Applicable Book That I Have Ever Read
By Stephen R. Hubbell, Jr.
A fully developed discourse on the nature of consciousness for the public education, Coffee for Consciousness 101 is more than just a self-help book. It is a living, breathing dissertation on how to live a full life as well as the next evolutionary step for humanity as a species. I've always felt drawn to Vito's work. Pursuing concepts to describe about consciousness alongside healing practices has been my passion. I can say that this book illuminates those areas that I've been striving to reach, and as its focus is on our daily lives, it is the most real-life applicable book that I have ever read.

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Selasa, 08 Juni 2010

[X497.Ebook] PDF Download The Mahabharata: A Modern Rendering, Vol 2, by Ramesh Menon

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The Mahabharata: A Modern Rendering, Vol 2, by Ramesh Menon

The Mahabharata is the more recent of India's two great epics, and by far the longer. First composed by the Maharishi Vyasa in verse, it has come down the centuries in the timeless oral tradition of guru and sishya, profoundly influencing the history, culture, and art of not only the Indian subcontinent but most of south-east Asia. At 100,000 couplets, it is seven times as long as the Iliad and the Odyssey combined: far and away the greatest recorded epic known to man.The Mahabharata is the very Book of Life: in its variety, majesty and, also, in its violence and tragedy. It has been said that nothing exists that cannot be found within the pages of this awesome legend. The epic describes a great war of some 5000 years ago, and the events that led to it. The war on Kurukshetra sees ten million warriors slain, brings the dwapara yuga to an end, and ushers in a new and sinister age: this present kali yuga, modern times.At the heart of the Mahabharata nestles the Bhagavad Gita, the Song of God. Senayor ubhayor madhye, between two teeming armies, Krishna expounds the eternal dharma to his warrior of light, Arjuna. At one level, all the restless action of the Mahabharata is a quest for the Gita and its sacred stillness. After the carnage, it is the Gita that survives, immortal lotus floating upon the dark waters of desolation: the final secret!With its magnificent cast of characters, human, demonic, and divine, and its riveting narrative, the Mahabharata continues to enchant readers and scholars the world over. This new rendering brings the epic to the contemporary reader in sparkling modern prose. It brings alive all the excitement, magic, and grandeur of the original-for our times.

  • Sales Rank: #437189 in Books
  • Brand: Brand: iUniverse, Inc.
  • Published on: 2006-07-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.35" w x 7.25" l, 2.24 pounds
  • Binding: Paperback
  • 598 pages
Features
  • Used Book in Good Condition

About the Author
Ramesh Menon was born in 1951 in New Delhi. He has lived and worked in Delhi, Hong Kong, Bangalore, and Jakarta, and now lives in Kodaikanal. He is also the author of The Ramayana, A Modern Retelling of the Great Indian Epic (Farrar, Straus & Giroux, 2003).

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6 of 7 people found the following review helpful.
Good effort......but not a satisfying read
By murakr
I have been reading different translations of the Mahabharata recently. I read a few pages of Menon's translation on amazon and bought it. The whole book was not as satisfying as the preview had suggested.

Menon's is a wordy and detailed translation. He does not editorialize too much and tries to present the story as it was originally written. This provides some interesting ideas that the original writer intended to convey. I liked the numerous metaphors and descriptions of ancient habits. But, a lot of the time, the language uninspired. The dialogues are boring and passive. The original verse has been turned into dull prose.

To compare with this........RK Narayan's is a breezy summary, C Rajagopalachari's is authoritative but also brief, Buck's is a great read but is spoilt by the changes he made to an old and timeless story. I have not read Krishna Dharma. Hope this helps you decide if you want to spend 60$ for this book.

1 of 1 people found the following review helpful.
Review of Menon's Mahabharata (Volume Two)
By Ryan Mease
I was surprised by the close contingency of poetry and scholarship within this work. Clearly, Menon was meant to write something--it might as well be the best available translation of the great Sanskrit epic poem. Like any other editor, Menon makes cuts here, there and everywhere, but he isn't afraid to offer a massive volume of text (two volumes, in fact). Still, the presentation is incredibly readable and shows a great knowledge of the English idiom.

What I would like to see is more annotation: chapter introductions, previews and summaries of the content contained within each Parva. This is a work designed for the laymen, but it could do with a few amendments for the eager student. A glossary of characters and more footnotes would help to make this the perfect piece of scholarship.

1 of 1 people found the following review helpful.
Captivating writing and Amazingly Lucid - Unputdownable
By Subramanian
Having read various versions of Mahabharat from childhood, i came across Ramesh Menon's Modern Rendering through some excerpts in the erstwhile Tehelka Tabloid. From that time i wanted to read it. I got the kindle version and read it non-stop after work hours. It is so well-written, captivating, easy-flowing, detailed and simply superb. I thank Mr.Menon for his excellent work and i am glad i spent the money on this book. 5 Stars- no doubt

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Minggu, 06 Juni 2010

[M736.Ebook] Download Ebook The New Handbook of Research on Music Teaching and Learning: A Project of the Music Educators National ConferenceFrom Oxford University

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The New Handbook of Research on Music Teaching and Learning: A Project of the Music Educators National ConferenceFrom Oxford University

Featuring chapters by the world's foremost scholars in music education and cognition, this handbook is a convenient collection of current research on music teaching and learning. This comprehensive work includes sections on arts advocacy, music and medicine, teacher education, and studio instruction, among other subjects, making it an essential reference for music education programs. The original Handbook of Research on Music Teaching and Learning, published in 1992 with the sponsorship of the Music Educators National Conference (MENC), was hailed as "a welcome addition to the literature on music education because it serves to provide definition and unity to a broad and complex field" (Choice). This new companion volume, again with the sponsorship of MENC, explores the significant changes in music and arts education that have taken place in the last decade. Notably, several chapters now incorporate insights from other fields to shed light on multi-cultural music education, gender issues in music education, and non-musical outcomes of music education. Other chapters offer practical information on maintaining musicians' health, training music teachers, and evaluating music education programs. Philosophical issues, such as musical cognition, the philosophy of research theory, curriculum, and educating musically, are also explored in relationship to policy issues. In addition to surveying the literature, each chapter considers the significance of the research and provides suggestions for future study.

Covering a broad range of topics and addressing the issues of music education at all age levels, from early childhood to motivation and self-regulation, this handbook is an invaluable resource for music teachers, researchers, and scholars.

  • Sales Rank: #714345 in Books
  • Published on: 2002-04-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.90" h x 2.60" w x 11.10" l, 5.36 pounds
  • Binding: Hardcover
  • 1248 pages

From Library Journal
This is not a handbook in the traditional sense of the word-it is neither concise nor compact. Instead, it ranges widely over "topics identified by a survey of music education researchers as important issues in music teaching and learning in the 21st century," including multiculturalism, gender issues, training teachers, and the philosophy of research theory. Editors Colwell (music education, emeritus, Univ. of Illinois) and Richardson (music education, Sch. of Music, Univ. of Michigan) present 71 essays with the help of 92 contributors and a profusion of advisors; in this new edition, those contributing essays are not just noted scholars in music education but scholars from many other fields. The essays are organized broadly into ten parts: "Policy and Philosophy," "Educational Context and the Curriculum," "Musical Development and Learning," "Musical Cognition and Development," "Social and Cultural Contexts," "Music Teacher Education," "Music Education Connections," "Neuroscience, Medicine, and Music," "Outcomes in General Education," and "Research Design, Criticism, and Assessment in Music Education." Like the first edition of the handbook, published in 1992, this update is endorsed by the Music Educators National Conference. There are no other works on the subject of this magnitude of scholarship. Highly recommended for academic and music libraries.
Janet Brewer, Murray State Univ. Lib., KY
Copyright 2002 Reed Business Information, Inc.

Review

Praise for the first Handbook of Research on Music Teaching and Learning "This massive handbook is certainly, as it is claimed, a comprehensive review of research in music education. . . . This is not a dictionary or simple summary of findings but a series of substantial essays. . . . As we might expect, the effect is impressive. The contributors in general write well and clearly and the text is carefully laid out and meticulously referenced. An index of references and a subject index make access to the details of the handbook easy and logical." --British Journal of Music Education


"A welcome addition to the literature on music education because it serves to provide definition and unity to a broad and complex field" --Choice


About the Author

Richard Colwell is Professor Emeritus of Music Education at the University of Illinois and Adjunct Professor of Music Education at the University of Michigan. He is the founding editor of the Bulletin of the Council for Research in Music Education and the Quarterly Journal of Music Teaching and Learning. He is also a Guggenheim scholar.

Carol Richardson is Associate Professor and Chair of Music Education at the School of Music, University of Michigan. She currently chairs t e Music Education SIG of the American Educational Research Association. She received a National Acade CROSSUP.0 L n my stdoctoral fellowship for her 1995 study of Cambodian children's music-listening processes. Her most recent book, Music Every Day: Transforming the Elementary Classroom, with co-author Betty Atterbury, was published by McGraw-Hill in 2001.

Most helpful customer reviews

3 of 3 people found the following review helpful.
The New Handbook....
By David R. Ledgerwood
Outstanding compilation of research. Not "easy reading" but a treasure of useful information for serious students in music education.

3 of 4 people found the following review helpful.
Pricy, but still good value
By dct_guitarist
The New Handbook of Research on Music Teaching and Learning is a very substantial reference work prepared under high scholarly standards and useful to the music researcher on numerous topics. It was a required text for a doctoral course, but I will keep it for future reference for many years to come. Amazon's price was the best I could find, even beating the used price of several other sites. Delivery was very fast.

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Jumat, 04 Juni 2010

[I284.Ebook] PDF Ebook Structural Engineer's Pocket Book, 2nd Edition: British Standards Edition, by Fiona Cobb

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Structural Engineer's Pocket Book, 2nd Edition: British Standards Edition, by Fiona Cobb

The Structural Engineer's Pocket Book is the only compilation of all tables, data, facts and formulae needed for scheme design by structural engineers in a handy-sized format. Bringing together data from many sources into a compact, affordable pocketbook, it saves valuable time spent tracking down information needed regularly.

This new and improved edition has been updated throughout, expanding previous chapters and reflecting changes to the British Standards, as well as including a whole new section on sustainability covering general concepts, materials, actions and targets for structural engineers.

Although small in size, this book contains the facts and figures needed for preliminary design whether in the office, on-site or in the IStructE Part 3 Exam. Based on UK conventions, it is split into 14 sections including geotechnics, structural steel, reinforced concrete, masonry and timber.

  • Sales Rank: #2117266 in Books
  • Brand: Brand: A Butterworth-Heinemann Title
  • Published on: 2009-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 4.80" w x 7.20" l, .95 pounds
  • Binding: Paperback
  • 416 pages
Features
  • Used Book in Good Condition

Review
"Best money I've ever spent, absolutely brilliant"

"All my colleagues stare at this book with wonder and keep asking me where they can get it from - and these guys are experienced engineers - enough said!"

"A brilliant little book"

"Tables, material properties and formulas in one textbook. Really handy."

"This book has been a life saver for me ever since I bought it"

"an excellent book...of exceptional usefulness at a very reasonable price."

Most helpful customer reviews

23 of 24 people found the following review helpful.
Good book IF you live in the UK!
By James Evetts
The laws, codes and building types are all UK (Great Britain). Pretty useless in the good ole US of A.

All the structural stuff is in metric (Yea, I know we should use metric, but we don't).

And all the shapes are British Standard.

Heck of a nice book, but wrong country.

23 of 24 people found the following review helpful.
Written for the UK structural engieer
By JN
There was no indication that this pocket book was written based on data for Great Britain. I discovered this only after it arrived!

2 of 2 people found the following review helpful.
Review
By Mr. Ted Singleton
Good handy book. Not as detailed in items as I would have liked. Layout in terms of Index could be better. Hard to find items at first

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